Come, Follow Me

In this trio the melody appears in the bass (Pedal) at 8' pitch. The first, second, and last phrases of the familiar melody are prefigured in the upper voice, and fragments of the melody appear in both upper voices.

The suggested tempo is meant to keep the upper voices flowing, not too fast, but fast enough that the cantus firmus is not unrecognizably slow. The tempo should be steady; there is no need for rubato anywhere. A smooth legato is required throughout. Releases should be precise,…