Come unto Jesus

This arrangement is full of rich harmonies and opportunities for expression. Nor is it devoid of contrapuntal interest. Notice, for example, that the three-note motive sequenced in the opening measures is a fragment of the hymn tune. At least one voice is keeping the eighth-notes…

The score contains no specific expressive markings, but rubato and full use of the swell pedal are quite appropriate here. Choose the warmest, most lush registration available, but do not let the Great be more than just a notch or two above the Swell in volume; and the Swell-to-G…